保镖1992

简介：酒店开发商奠基当天误挖蛇窝，并惨遭蛇王攻击，事后李老板捐酒店资产做慈善令其子李宗耀不满，欲霸占酒店对父亲下手时得知群蛇攻击酒店，命手下活捉蛇王，目的是利用蛇王的血清做实验研大发横财。万恶终有果，李宗耀等最终未能逃脱蛇王的报复。

简介：影片由三个短片构成，片中演员均扮演他们本人。　　《踏着我的摩托机车》：南尼骑着摩托车穿梭在大街小巷中，一次偶然中，他结识了女演员詹妮弗·比尔斯，可惜两人语言不通，无法交流。南尼开始看起了电影，他惊诧于一部名叫《连环杀手亨利的肖像》的影片的血腥和庸俗，和对其大唱赞歌的影评人，他找到了那名影评人。　　《群岛》：南尼来到了一座小岛上，那里住着他热衷于研究小说《尤利西斯》的怪咖朋友谢拉多。最经，这位朋友竟然迷上了看肥皂剧，他不仅开始将肥皂剧与《尤利西斯》相提并论，更做出了一些更加疯狂的举动。　　《医生》：因为皮肤病，南尼进了医院，可是他的病看过了许多人生都没有见好，荒谬的是，这些医生做出的诊断和开出的药方竟然大相径庭。

简介：午夜过后，灵异的事情不断发生，恐怖而令人窒息的故事慢慢展开。

简介：在伊丽莎白女王统治英格兰的时代里，政治风云变幻。都铎王朝的成员和一些贵族都在预谋着反叛计划。影片的主角是爱德华·德维尔，他就是著名的牛津伯爵，影片从他的视角展开了叙述。实际上，爱德华·德维尔不仅仅是伊丽莎白女王的乱伦情人，他更是所有莎士比亚作品的执笔人。在影片的讲述中，莎士比亚，不过是一个傀儡而已……

简介：Abel Davos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。

简介：回归香港进入历史新时代，随著政治社会形势的转变，而迈进新纪元。小马决定带着与自己生死与共的阿珍过平淡的生活。但恶运一直跟随着他们，帮派中一头目阿龙一直视小马为心头大患，龙不择手段加害他们，珍惨死在龙的枪下，小马侥幸逃出，珍临死前叮嘱小马，不要再涉足江湖，小马含泪答应。从此，他铭记珍的遗言，忍着一切痛苦和悲伤，退隐江湖。正在小马以为一切都将重新开始的时候，恶梦又慢慢地向小马逼近，最终无可避免地来一场决斗。

简介：卡嘉（黛安·克鲁格 Diane Kruger 饰）曾经有一个非常幸福的家庭，然而，一场可怕的恐怖袭击让她在瞬间失去了丈夫奴里（努曼·阿卡尔 Numan Acar 饰）和年幼孩子。爆炸的始作俑者是一对“新纳粹分子”情侣艾达（汉娜·希尔斯多夫 Hanna Hilsdorf 饰）和安德烈（乌尔里奇·布兰德霍夫 Ulrich Brandhoff 饰），两人很快就遭到了逮捕等待庭审。　　在庭审中，艾达和安德烈的律师指出卡嘉夫妇曾经参与过贩毒活动，同时他们自己也曾经吸食过毒品，这一劣迹的曝光直接影响了法官对案情的判断，最终，这对情侣因为证据不足而被无罪释放。悲愤和绝望之中，卡嘉决定通过自己的双手来为家人们报仇。

简介：法国导演马丁·波渥斯的新片《助产士》迎来多位欧洲重量级明星加盟，包括凯瑟琳·德纳芙、凯瑟琳·弗洛、奥利弗·古尔迈等。波渥斯曾凭借[花落花开]荣获凯撒奖七项大奖。故事在助产士克莱尔(凯瑟琳·弗洛饰)与神秘女人比阿特丽斯(凯瑟琳·德纳芙饰)之间展开。影片定档2017年2月。

简介：侯麦著名系列作品“四季的故事”之一。菲利茜（夏洛特·海瑞 Charlotte Véry饰）和查理（费德瑞克·范丹狄德夏 Frédéric van den Driessche饰）在海边浪漫相恋之后，因为一时不留神留下了写错的地址，而导致了二人再也找不到彼此。菲利茜生下了查理的孩子，但5年来却再也没有查理的音讯。　　生活还在继续，菲利茜遇上了喜欢她的一些男子，他们也不失为好男人，足够爱自己。比如成熟体贴的马桑（迈克尔·瓦雷蒂 Michael Voletti饰）和才华横溢的路易（Hervé Furic饰）。然而，在菲利茜的心中，查理却仍旧是个挥之不去的至爱之人。她不是不爱他们，只是无法爱到能和他们一起生活。她和路易一起看莎士比亚的歌剧《冬天的故事》，为里面的人物悄然落泪，也许她和剧中人一样，也在坚守着一个信念。　　终于某个冬天，菲利茜和查理竟然在公车上重遇，执着的梦想等来了实现的一天。

简介：一个网上自杀俱乐部的成员决定一起终结生命。然而，每次他们在尝试的时候，就会发现时间回到了最初相遇的时候。该片由加藤悦生导演，在日本获得了SKIP CITY国际数字电影节以及Tanabe Benkei电影观众大奖。这部惊悚刺激的电影讲述了一个有关时间循环、充满人性和绝望的原创故事。

简介：苏诺（邱意浓 饰）出生时本是死婴，但因女娲补天遗落的五彩石而生。赤狐狸三九与申公豹（李楠 饰）大战后败逃因附身苏诺而得以保命。少女苏诺救下殷商少年太子子辛（代超 饰），因遭设计，与子辛由爱成恨，苏诺也为此献出了生命。多年后苏诺被女娲化为名叫苏妲己的美艳女子联手申公豹祸乱殷商……

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.